Invite & vinyl lettering for Western Front. Typeface: “Klimax” by Ondrej Job.
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Everything should be made as simple as possible but not simpler
June 7 - July 11, 2008
Curated by Juan A. Gaitán
Abbas Akhavan, Arabella Campbell, Antonia Hirsch, Paul Kajander, Sarah Mameni, Ron Tran
Curated by Juan Gaitan
The title comes from a text from 1970 by Dore Ashton, art critic of the abstract expressionist moment and vehement opponent of minimalist and conceptualist practices. In her view, aesthetic criteria were abandoned as a result of these practices that succeeded the painterly abstraction of the 1950s. Today the skeletal aesthetics of minimalism and conceptual art provide the most prevalent source of art historical references that appear in contemporary art. But this referencing is a far cry from the modernist belief in an aesthetic program, and can be seen as polemically built into the works of art exhibited. One could say that the aesthetic and the subject matter are problems with a-parallel trajectories that are brought together in the artwork in order to illuminate each other. This exhibition explores this dual dialogue in which a range of subject matters (social, political, etc.) are inflected with art historical archetypes.






